The seventh volume in Rizzoli’s best-selling series on the work of Richard Meier, one of America’s most important and acclaimed architects.

This comprehensive volume documents Meier’s work since 2011, featuring thirty residential, commercial, and civic projects in a variety of locales, including Manhattan, Beverly Hills, the Hamptons, Las Vegas, Hawaii, Mexico City, Tel Aviv, Rio de Janeiro, and Tokyo, among others. Extensively illustrated and was designed by the late renowned graphic designer Massimo Vignelli, it vividly conveys the purity and power of Meier’s unique and celebrated vision.

The development and significance of Meier’s work is discussed in an authoritative introduction by the architectural historian Kenneth Frampton. The architect himself contributes a preface that offers firsthand insight into his thought processes and working methods. A biographical chronology and selected bibliography complete this exhaustive and lavish monograph on a modern American master.

About the Author:

Richard Meier began his career in the 1960s designing private residences. Since that time, his international practice has included museums, courthouses, city halls, corporate headquarters, educational facilities, and public housing. He has received numerous awards, including the Pritzker Architecture Prize and the Gold Medal of the American Institute of Architects. Kenneth Frampton is the author of numerous volumes, essays, and articles of architectural criticism and theory. He is the Ware Professor of Architecture at Columbia University in New York.

Richard Meier, Architect: Volume 5 comprehensively documents Meier’s work since 2004. This extensively illustrated presentation vividly conveys the purity and power of Meier’s vision. Thirty residential, commercial, and civic projects are featured, including the Ara Pacis Museum in Rome, the Burda Collection Museum and Arp Museum in Germany, San Jose City Hall, the Broad Art Center at UCLA, apartment towers in Manhattan and Brooklyn, and master plans for Newark, New Jersey, and Manhattan’s East Side. Richard Meier received his architectural training at Cornell University and began his career in the early 1960s designing private residential projects whose elegant modernist style and white facades have become icons of modern architecture. Since that time, his international practice has included museums, courthouses, city halls, corporate headquarters, educational facilities, and public housing, in addition to private houses. He has received numerous awards for his work, including the Pritzker Prize for Architecture and the Gold Medal of the American Institute of Architects.

About the Authors:

Richard Meier began his career in the 1960s designing private residences. Since that time, his international practice has included museums, courthouses, city halls, corporate headquarters, educational facilities, and public housing. He has received numerous awards, including the Pritzker Architecture Prize and the Gold Medal of the American Institute of Architects. Kenneth Frampton is the author of numerous volumes, essays, and articles of architectural criticism and theory. He is the Ware Professor of Architecture at Columbia University in New York.

Kenneth Frampton is the author of numerous volumes, essays, and articles of architectural criticism and theory, including, for Rizzoli, American Masterworks. He is the Ware Professor of Architecture at Columbia University. Paul Goldberger is an architecture critic for The New Yorker magazine and has won the Pulitzer Prize for his work at The New York Times. He holds the Joseph Urban Chair in Design and Architecture at the New School in New York.

This is Rizzoli’s eighth volume in the definitive series of monographs on the work of Richard Meier, one of America’s most acclaimed architects.

Richard Meier, Architect: Volume 8 vividly conveys the purity and power of Meier’s unique and celebrated vision. Thirty residential, commercial, and civic projects are featured in a dazzling variety of scales and locales, including Manhattan, Los Angeles, the Hamptons, Las Vegas, Mexico City, Tel Aviv, Rio de Janeiro, and Tokyo, among many other venues.

The development and significance of Meier’s work is discussed in authoritative essays by the distinguished architectural historian and curator Kurt W. Forster and world-renowned architect Alberto Campo Baeza. The architect himself contributes a preface that offers firsthand insight into his thought processes and working methods. A biographical chronology and selected bibliography complete this exhaustive and lavish monograph on a modern American master.

About the Author:

Richard Meier began his career in the early 1960s designing projects whose elegant modernist style and white facades have become icons of modern architecture. He has received numerous awards for his work, including the Pritzker Architecture Prize and the Gold Medal of the American Institute of Architects. Kurt W. Forster has taught at Yale University, Stanford University, MIT, ETH Zurich, and Bauhaus University at Weimar and founded and directed research institutes at the Getty Research Center in Los Angeles and the Canadian Centre for Architecture in Montreal. Alberto Campo Baeza is the founding principal of his eponymous architecture studio and emeritus head professor of design in the Madrid School of Architecture, ETSAM, where he has been a tenured professor for more than thirty-five years.

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Пролистать книгу Richard Meier, Architect: Volume 8

A comprehensive survey of the work of a master of modernist design today.

Alberto Campo Baeza, one of contemporary architecture’s most distinguished voices, is renowned for a body of work that exudes the power of radical simplicity. The architectural ideas expressed in his buildings have ranged in scale from such small but beautiful residential structures as the Turégano, Gaspar, and De Blas houses to cultural facilities such as Andalucia’s Museum of Memory in Granada, an addition to his earlier achievement, the Caja General Bank Headquarters. All share an uncompromising dedication to simple composition and demonstrate the ways in which he so brilliantly deploys disciplined restraint to achieve architectural silence in the face of the clamor of the modern city.

This monograph features projects spanning four decades of international architectural practice. Contributions by Richard Meier and David Chipperfield offer critical commentary on Campo Baeza’s persistent quest for beauty and relevance through his adherence to simplicity and a deeply felt devotion to modernist principles of architecture.

About the Author:

Alberto Campo Baeza is the founding principal of his eponymous architecture studio and emeritus head professor of design at the Madrid School of Architecture, ETSAM, where he has been a tenured professor for more than thirty-five years. Richard Meier received his architectural training at Cornell University and began his career in the early 1960s designing projects that have become icons of modern architecture. David Chipperfield founded his own architecture practice in 1985, which comprises offices in London, Berlin, Milan, and Shanghai. Architect, critic, historian, and author Kenneth Frampton is the Emeritus Ware Professor of Architecture at the Graduate School of Architecture, Planning, and Preservation at Columbia University, where he taught from 1972 to 2020.

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Пролистать книгу Campo Baeza: Selected Works на сайте издательства.

Ever since his self-proclamation as part of the "New York Five," Richard Meier has risen through one top commission after another to the dizzy heights of architectural stardom. 

From Madison Square Garden to Shenzhen, China, his sleek, luminously white modernism has created some of the most high-profile and distinctive buildings of the 20th and 21st centuries. Meier's portfolio is as varied as it is illustrious. He has worked with Roman treasures (Ara Pacis Museum), seaside resorts (Jesolo Lido Village), civic centers (San Jose City Hall), and private clients in the Hamptons. On each project, Meier's hallmarks are careful grid plans and expansive use of white surfacing and glass. The buildings are as much beacons of brilliance from the exterior as they are temples to clarity and purpose inside. 

This introductory book traces Meier's complete career to explore the making of a cult architect. With abundant images, we take in all his most famous projects, such as the Getty Center in Los Angeles, as well as his most recent works such as the OCT Shenzhen Clubhouse in Shenzhen, China; and the Burda Collection Museum in Baden-Baden, Germany.

About the series:

Each book in TASCHEN’s Basic Architecture series features:

- an introduction to the life and work of the architect 
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

An authoritative volume on the most innovative new residential design in cities around the globe

This carefully curated book presents twenty-five new and recent spaces for city living. Author Ron Broadhurst has selected projects that represent a set of ideas that can be described as belonging particularly to our time and which will shape how we think of living in the city in the future. Where the great experimenters of the last century were stripping away ornamentation and creating free-flowing spaces for the first time, today’s innovators are pioneering research in the potential of new materials for both formal invention and environmental sustainability and creating bold and sophisticated essays in the adaptive reuse of spaces originally designed for other purposes.

With the newest work from such design luminaries as Andrée Putman, Annabelle Selldorf, and Richard Meier, as well as emergent talents like Barbara Bestor and Messana O’Rorke, The Urban House is a uniquely coherent volume on the best in new residential design.

About the Authors:

Ron Broadhurst is the author of Houses: Modern Natural/Natural Modern and Next Houses: Architecture for the Twenty-First Century, Retreat: The Modern House in Nature Pritzker Prize–winner

Richard Meier is a world-renowned architect whose five-volume monograph was published by Rizzoli

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Пролистать книгу The Urban House: Townhouses, Apartments, Lofts, and Other Spaces for City Living на сайте издательства.

Lightness in glass and white. On the 50th anniversary of Richard Meier’s firm, a complete retrospective

From his early days as one of the "New York Five," Richard Meier has been a central figure in contemporary architecture; this updated 2013 trade edition of the XL version is published in the occasion of the firm’s 50th anniversary. With the Getty Center and more recent buildings such as the Jubilee Church in Rome, Meier has established a reputation for expanded the horizons of contemporary American architecture while maintaining his rigorously rational approach to design and detailing. Known for carefully conceived grid plans and frequent use of white, Meier is a master of light, space, and volume, able to adapt his style to very different circumstances and locations.

The entire span of Meier’s career is included in this exceptional volume, newly updated for this edition and created in close collaboration with the architect, and the eminent graphic designer Massimo Vignelli. This spectacular monograph displays Meier’s work in unprecedented size and brilliance, and features a preface by the noted Spanish architect Alberto Campo Baeza.
Download table of contents here!

Philip Jodidio (born 1954) studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His books include TASCHEN’s Architecture Now! series, and monographs on Tadao Ando, Norman Foster, Richard Meier, Jean Nouvel, and Zaha Hadid. He is internationally renowned as one of the most popular writers on the subject of architecture.

Richard Meier, Architect: Volume 5 comprehensively documents Meier’s work since 2004. 

This extensively illustrated presentation vividly conveys the purity and power of Meier’s vision. Thirty residential, commercial, and civic projects are featured, including the Ara Pacis Museum in Rome, the Burda Collection Museum and Arp Museum in Germany, San Jose City Hall, the Broad Art Center at UCLA, apartment towers in Manhattan and Brooklyn, and master plans for Newark, New Jersey, and Manhattan’s East Side. 

Richard Meier received his architectural training at Cornell University and began his career in the early 1960s designing private residential projects whose elegant modernist style and white facades have become icons of modern architecture. 
Since that time, his international practice has included museums, courthouses, city halls, corporate headquarters, educational facilities, and public housing, in addition to private houses. 

He has received numerous awards for his work, including the Pritzker Prize for Architecture and the Gold Medal of the American Institute of Architects.

About the Author

Kenneth Frampton is the author of numerous volumes, essays, and articles of architectural criticism and theory, including, for Rizzoli, American Masterworks. He is the Ware Professor of Architecture at Columbia University. 

Paul Goldberger is an architecture critic for The New Yorker magazine and has won the Pulitzer Prize for his work at The New York Times. He holds the Joseph Urban Chair in Design and Architecture at the New School in New York.

Richard Meier & Partners

Знание собственных интересов Ричарда Мейера, выразившихся в его скульптурах, коллажах и, что более важно, в архитектуре, дает возможность понять мотивы его творческого подхода и созданные им работы. Джон Рескин говорил: "Ни один человек, не являющийся великим скульптором или живописцем, не может стать архитектором. Если он не скульптор и не живописец, он может быть только строителем". Когда Мейера спросили, видит ли он принципиальные различия между архитектурой и искусством, он ответил: "Нет. Архитектура гораздо больше явление искусства, чем все остальное. Разумеется, я вижу различия между архитектурой и коллажем. Я полагаю, что сегодня проблема - в самом мире. Архитектура как род искусства - это забытое искусство. Люди смотрят на скульптуру и живопись, но не на архитектуру. Возможно, вопрос кроется в образовании историков искусства".

About the Series:
Every book in TASCHEN's Basic Architecture Series features:

• approximately 120 images, including photographs, sketches, drawings, and floor plans
• introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
• the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
• an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

As one of the most important contemporary architects, Richard Meier (b. 1934) is a key figure in TASCHEN's Basic Architecture Series. His brilliant career ranges from elegant family homes to dazzling institutional buildings like the Barcelona Museum of Contemporary Art. This work gives an insight into the development of his œuvre starting with the early designs and culminating with his latest buildings, exploring his combination of precisely calculated proportions and high quality materials, resulting in exquisite structures and light flooded spaces.

Посмотреть русскоязычное издание книги Meier - Мейер

About the Series:
Every book in TASCHEN's Basic Architecture Series features:

• approximately 120 images, including photographs, sketches, drawings, and floor plans
• introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
• the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
• an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

82 colour and 107 b/w illustrations

From the second half of the sixties the rise and consolidation, and more in general the creative career, of Richard Meier has been characterised by slow but steady reflection on modernity, its matrix and the possibility that it can be considered, even today, as a means of regeneration.
A positive obsession, marked by admirable persistence within an overall picture that is very heterogeneous and often confused.
This book attempts to clarify matters regarding the works and projects created over the last decade, mature works that also mark the definitive consecration of Meier as one of the masters of contemporary North American architecture and of the international scene in general.
These reflections on a modernism that is both solar and the conceptual child of abstract culture are superimposed on thoughts about contemporary cities and landscapes and easily lead us to many recent works such as the large complex of the Getty Center in Los Angeles or the museums for the Ara Pacis in Rome and contemporary art museum in Barcelona.
A project development that above all favours great public works creating the opportunity to give a definition to what imagining a collective space means and what a monument is in contemporary terms.
The recently church for the Jubilee in Rome, from this point of view, shows how it is still possible to unite considerations on the modernity of an architectural work with its deep relationship with the simplicity and emotion of form, light and material.

Richard Meier is one of the most renowned architects working today. His works are characterized by their rationalism, their rather detached purity, and their large expanses of reticulated forms masterfully articulating voids and solids. An architect obsessed with visual effects, Meier is known for such large-scale projects as the Getty Center in Los Angeles.

This oversize book, however, concentrates solely on Meier's residential works. Fourteen houses are featured through dramatic colour photos of both interior and exterior side by side with drawings, plans, and reflections of both the architect and his clients. A bibliography and a chronology of all of Meier's residential projects, both built and unbuilt, complete this visually stunning volume.

This oversized book presents 14 built American houses by one of the world's most influential and widely emulated architects. New colour interior and exterior photography, as well as drawings, plans, clients' personal reflections, and the architect's insight, accompany each house. With a chronology of all of Meier's built and unbuilt residential projects, this is a most beautiful and valuable reference for admirers of his work.

The latest installment of Rizzoli's best-selling series of monographs on one of America's most important architects, Richard Meier, Architect Volume 4 documents Meier's work since the publication of the previous volume in 1999. This extensively illustrated presentation vividly conveys the purity and power of Meier's unique and celebrated vision. Twenty-seven residential, commercial, and civic projects are featured, including the 173/176 Perry Street residential towers in New York overlooking the Hudson River, perhaps the most celebrated new apartment buildings of our time; the Yale University History of Art and Arts Library in New Haven, Connecticut; and the Vatican-sponsored competition for his winning Jubilee Church of the year 2000 for the Vicariate of Rome. The development and significance of Richard Meier's work is discussed in two essays by the distinguished architectural historians and critics Kenneth Frampton and Joseph Rykwert. A biographical chronology and a selected bibliography complete this elegant and comprehensive monograph on a modern American master.

The third in a series of Rizzoli monographs on Richard Meier, this volume comprehensively documents the numerous and varied works created since 1992 by one of America's most important architects and a winner of the Pritzker Prize for Architecture.

This extensively illustrated presentation, designed by Massimo Vignelli, conveys the purity and power of Meier's celebrated work. Twenty-three projects in all are featured, including federal buildings and courthouses in Islip, New York, and Phoenix, Arizona; the Barcelona Museum of Contemporary Art; the Museum of Television and Radio in Beverly Hills; the Church of the Year 2000 in Rome; and the widely acclaimed Getty Center in Los Angeles.

The development and significance of Richard Meier's work is discussed in two essays by the distinguished architectural historians and critics Kenneth Frampton and Joseph Rykwert. A postscript by Arata Isozaki, a biographical chronology, and a selected bibliography complete the monograph.